Readymade Duchamp Essay

Readymade Duchamp Essay-40
Nude Descending A Staircase initially met with an unfavorable response at the Salon des Indépendants, dominated by the Cubist avant-garde who objected to what they deemed as its Futurist leanings, but enjoyed a succes de scandale at the 1913 Armory Show in New York.More than a study of the body's movement through space, the work is an early figurative exercise in painting cinematically, akin to Eadweard Muybridge's sequences of photographs that anticipated motion pictures.

Nude Descending A Staircase initially met with an unfavorable response at the Salon des Indépendants, dominated by the Cubist avant-garde who objected to what they deemed as its Futurist leanings, but enjoyed a succes de scandale at the 1913 Armory Show in New York.More than a study of the body's movement through space, the work is an early figurative exercise in painting cinematically, akin to Eadweard Muybridge's sequences of photographs that anticipated motion pictures.

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A taste for jokes, tongue-in-cheek wit and subversive humor, rife with sexual innuendoes, characterizes Duchamp's work and makes for much of its enjoyment.

He fashioned puns out of everyday expressions which he conveyed through visual means.

Chance also dictated his choice of title: Duchamp apparently hit upon stoppages, French for the "invisible mending" of a garment, after walking past a shop sign advertising sewing supplies.

Mixed media - The Museum of Modern Art The Bride Stripped Bare by Her Bachelors, Even, or The Large Glass was partly inspired by author Raymond Roussel's use of homophones, words that sound alike but have different meanings.

The constructed gadgetry featured between the two glass panels was also likely inspired by Duchamp's study of mathematician Henri Poincare's physics theorems.

Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture.

After attending a performance of Roussel's Impressions d'Afrique, Duchamp envisioned a sculptural assemblage as a stage of sorts.

Preliminary studies for this stage, which would have been over nine feet tall, included depictions of an abstracted "bride" being attacked by machine-like figures in chaotic motion.

Coined by Duchamp, the term "readymade" came to designate mass-produced everyday objects taken out of their usual context and promoted to the status of artworks by the mere choice of the artist.

A performative act as much as a stylistic category, the readymade had far-reaching implications for what can legitimately be considered an object of art.

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