Desdemona is the embodiment of goodness in the play, as she has done no wrong and seeks only to love and to help her friends.However, she resigns herself to her death out of this goodness.By the end of the play, neither has won, as Desdemona and Emilia are both dead, and Iago revealed and punished.
Desdemona is the embodiment of goodness in the play, as she has done no wrong and seeks only to love and to help her friends.Tags: Walnut Research PapersArt Of Problem Solving PrealgebraStrategic Business Planning ModelsCareer In Creative WritingEmployee Productivity ThesisUniversity Of Iowa Mfa Creative WritingPollution Thesis EssayPolitical Research Paper Topics
Othello is defensively proud of himself and his achievements, and especially proud of the honorable appearance he presents.
The allegations of Desdemona's affair hurt his pride even more than they inflame his vanity and jealousy; he wants to appear powerful, accomplished, and moral at every possible instance, and when this is almost denied to him, his wounded pride becomes especially powerful.
Race is an extremely important theme, as it leads to Othello's insecurity, which Iago is able to manipulate.
Despite his standing and military prowess, Othello never feels comfortable in Venice because of his otherness.
Especially relevant to the issue of Iago's character; for although he is called "honest" by almost everyone in the play, he is treacherous, deceitful, and manipulative.
This also applies to Desdemona, as Othello believes that she is deceitful and impure, although she is really blameless and innocent.
As Othello begins to abandon reason and language, chaos takes over.
His world begins to be ruled by chaotic emotions and very shady allegations, with order pushed to the side.
As a Moor, he is constantly stereotyped as "savage" or "animal", even though he speaks eloquently and displays more gentlemanly qualities than those who judge him.
Thus, Othello perceives himself to be a rough outsider, though he is nothing of the sort.