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He says "Eventually, "..ancient; a man he is of honesty and trust. All this is albeit the fact that Iago and Roderigo had conspired against him and accused him eloping with his daughter of Brabantio.
In the end, the tragic hero realizes his errors or mistakes and accepts responsibility for his doom.
The hero ostensibly obliges to the inevitable, though their acceptance of their fate once again elevates them to a state of nobility enjoyed from the onset of the play (Nabir, 2004).
Othello, moved beyond sanity by Iago lets emotions take over.
Iago manipulates Othello through skillful lies and his once wise and sound judgment is replaced with anger and hate leading to his strangling of Desmodena followed by the suicide act.
Othello in the harmatia or tragic flaw of the play, sculls a personality of calmness, control and love and replaces it with anger and jealousy and the audience experience a cathartic effect by associating with his woes, tribulations and sympathize with his predicament.
William Shakespeare sets forth the character of Othello as an admirable person and immediately attracts the ardor of the audience.
Though one can chance to disqualify the Aristotelian tragedy in relation to the loyal background, it is quite clear that Othello is a foreign Prince and thus has 'loyal blood' in his veins and also his actions show just how much he is worth.
Othello went as afar as earning a position as a god, a man respected by the authorities so much that the Duke had to send not one but three emissaries to summon him with an order to lead the Venetians in the war against the invading Turks.
Subsequently, Shakespeare identifies a man who would be perceived as only humane and the exquisite manner in which he uses dramatic irony invokes the audience to their sympathy his tribulations and redemption serve to remind the audience that we are human after all.
Aristotle felt that it was of outmost importance that the audience associates with the tragic hero.