Gk Chesterton Essays

Gk Chesterton Essays-36
Seeing himself as a creature of the devil instead of a wonderful animal created by God, is showing how distorted his self image is.

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“The Man Who Was Thursday” is one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

Chesterton’s “The Man Who Was Thursday,” and it has come out in at least two new editions on the occasion.

Chesterton is one of that company of writers whom we call Edwardian (though they stretch back to the last years of Victoria), a golden generation that emerged in the eighteen-nineties with personas seeming as fully formed as the silent comedians of the Mack Sennett studio, complete with style, costume, and gesture.

Writing in London at a time when hundreds of morning newspapers and as many magazines competed for copy, and where mass literacy had created a mass audience without yet entirely removing respect for intellect, they made themselves as much as they made their sentences.

Those of us who are used to pressing his writing on friends have the hard job of protecting him from his detractors, who think he was a nasty anti-Semite and medievalizing reactionary, and the still harder one of protecting him from his admirers, who pretend that he was not.

His Catholic devotees are legion and fanatic—the small Ignatius Press has taken on the heroic job of publishing everything he wrote in a uniform edition, and is already up to the thirty-fifth volume—but not always helpful to his non-cult reputation, especially when they insist on treating his gassy Church apologetics as though they were as interesting as his funny and suggestively mystical Christian allegories.Though in the last stanza, the donkey has his laugh, "Fools! Although, the donkey is a mixed breed, he was loved and chosen by the one person who has the greatest power- Jesus.Flipping through daytime television, there are several shows which focus on interracial marriages and mixed children.In the fourth line the reader knows the donkey is negative about himself because "I" is the animal describing himself.The donkey goes on to say that he is, "The devil's walking parody" (Line 7).He has a loving following among liberal Catholics, like Garry Wills and Wilfrid Sheed, and even nonbelievers, like Martin Gardner.But his most strenuous advocates are mainly conservative pre Vatican II types who are indignant about his neglect without stopping to reflect how much their own uncritical enthusiasm may have contributed to it.I did like the cardboard figures, even when I found they were of cardboard. It is only the grown man who lives a life of makebelieve and pretending; and it is he who has his head in a cloud. “All my life I have loved edges; and the boundary line that brings one thing sharply against another,” he writes.The white light of wonder that shone on the whole business was not any sort of trick. “All my life I have loved frames and limits; and I will maintain that the largest wilderness looks larger seen through a window. Whatever the image is that each poet chooses to use creates a different and separate from another poet's use of that same image. Chesterton's, "The Donkey," the donkey is a symbol for the some of today's society view people of mixed races and how people with multiple backgrounds will have their finest "hour" (Line 13). Chesterton's The Donkey As discussed in earlier papers, poets use devices to help enhance their images to the reader. John Drury, a poet, explains a symbol as, "an image that radiates meanings" (Gioia 276).


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