Essay Oranges Not Only Fruit

Essay Oranges Not Only Fruit-61
While Oranges presents the transcendental nature of religion as that which lies beyond the reach of linguistic structure, The Waste Land exploits its own formal structure to highlight transcendental influence upon the individual, which transports him from the immediate stasis of his existence.

While Oranges presents the transcendental nature of religion as that which lies beyond the reach of linguistic structure, The Waste Land exploits its own formal structure to highlight transcendental influence upon the individual, which transports him from the immediate stasis of his existence.

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In The Waste Land, religion is represented as an eclectic bricolage of different cultures and periods, brought together their common motifs of resurrection and regeneration.

This transcendence of temporal and geographical planes through the mediation of religious others refamiliarizes the western modernist poet with the universal and humanist ethos of Christianity, hence allowing him to transcend the creative stasis of an otherwise worldview.

When the missing persona is restored in the final stanza as a bricoleur figure (who bridges the languages with the oriental Hindu religious terms in his benediction), TWL attests to the transcendental nature of religion to reinvigorate the spirituality of the Western modernist, through the mediation of otherness.

The humanist ethos of the threefold in Hindu doctrine is too provocatively foregrounded in TWL: its visual and aural alienation from European languages inspires the Western modernist to recall the fundamental humanist underpinnings of Christian faith (which has remained largely implicit in the poem).

In Oranges, religion is initially configured as an arbitrary linguistic structure that orders the experience of her world.

Christianity only becomes transcendental after Jeanette the Bible in her own terms, concluding that there is a possible Christian love, just that its pristine condition lies beyond linguistic mediation and is therefore inaccessible to her.The elision of the Buddhist sermon with a Christian prayer that recalls the reference to Carthage as the of unholy in St. Confessions (Footnote 9, 2191) suggests the transcendental quality of religious redemption: one that is universal, in spite of temporal, cultural and doctrinal differences. Jesus answered her, you knew the gift of God and who it is that asks you for a drink, you would have asked him and he would have given you living (John 4: NIV). Introduction Sarah Hutchinson 16th January 05 Compare and contrast the two characters of Celie and Jeanette.Set at a distance from the predominantly context of the previous sections Fire concludes with a Christian inflection), the Hindu doctrine strikes us that religion can transcend alterity and cultural differences to promote a universal, humanist vision. extension, the same ethos can also be applied to the Christian doctrine of salvation and redemption. Whether it is Carthage where Queen Dido seduces Aeneas (Footnote 3, 2185), or the Carthage where St. Augustine spent a life of (Footnote 9, 2191), modernist with which creates the of a if every part of the text were simultaneously (Whitworth 12) points to the transcendental nature of religion to provide redemption from the equally enduring sin of lust. Religion and Transcendence in Oranges Are Not the Only Fruit and The Waste Land In Oranges Are Not the Only Fruit and The Waste Land, religion thematically figures as a transcendental mode of knowing about the world: both texts trace the struggle with a generally mundane existence, but as the endings suggest, religion is the ultimate transcendental structure over time and space that gives meaning to and revises the understanding of his or her relation to the world.On the issue of transcendence, however, there are slight nuances in the treatment of how religion brings about this quality.

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