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The framing story, however, is so well acted that it could – and should — stand alone as a one-act play.
” “Taming of the Shrew” — one of Shakespeare’s most frequently performed plays — has survived innumerable incarnations on stage and in film – some more successful than others.
While Neil La Bute’s additions do offer humorous and entertaining moments, his version unfortunately damages rather than enhances the drama.
For those who love great literature, whether involved in academic literary criticism or, more sensibly, pure fans of the art, I recommend this and all of the other volumes in this series.
Directed by Josie Rourke At Chicago Shakespeare Theater With new introduction scenes written by Neil La Bute Tampering with Taming Or “If it ain’t broke, don’t fix it!
The explanation offered in the program book makes reference to Shakespeare’s original introduction dealing with a character named Christopher Sly – noting that this introduction – which adds nothing to the play — is most often cut. Not Recommended Beverly Friend NOTE: On two Thursday afternoons from TO at the Norris University Center, Northwestern University’s continuing education course in Chicago Theater 2010, will offer lectures dealing with this production: April 29, with Associate Professor Cindy Gold May 6, with Barbara Grimes, Artistic Director, Chicago Shakespeare Theater.
The cost for each lecture is and is payable at the door.
His introductory frame starts out innocuously and interestingly enough. While some stagehands busily bustle around, vacuuming, others test props.
The stage manager (William Dick) calls for adjustments to the lighting.
series is a godsend for anyone interested in the latest and greatest criticism on classic literature.
Each volume of this series centers on a particular work and features several samples of the very best academic writing about it.